![]() ![]() You can then record the signal the normal way with your computer and have no need to worry about latency or failure of the Scarlett/computer (regarding the live playing). ![]() You won't need to gain much (if at least) at the scarlett. Then take this output and connect it to your Scarlett input (again, via TRS for symmetric transmission). You will then receive the signal again at the desired Aux Output at the back. You should probably take the Aux1 (Pre) if possible to make the monitor send independable from the fader position. Gain it with the mixers gain and route it to one monitor output with the Aux1/Aux2 knobs. Pros: You use the high quality preamp to record your Mic.Ĭons: If the scarlett crashes at some time when playing live, your signal won't reach the mixer and you won't be heard over the PA.Ģ) Mic to Mixer, monitor out to Scarlett: plug the Mic directly via XLR into one channel at the mixer. Probably, you won't need much gain at the mixer (if at all). You will then receive the line signal at the mixer and can mix it as you normally would. ![]() Then take the normal Scarlett's line out to one of your mixers channel line in (you can/should use a TRS jack here for symmetric transmission). This is important because you don't want latency when playing live with your other band members because if there is some latency, you will get sloppy. Important: activate the Direct Monitor switch which sends the gained input with nearly no latency to the outputs. You have a bunch of choices if you want to record the one Mic while playing live with others over the mixer.ġ) Mic to Scarlett, Line out to Mixer: plug the Mic via XLR in the Scarlett, gain it there (with the high-quality preamp). ![]()
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